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A 20-year legal battle followed between Mario Moreno Ivanova, Cantinflas' son and heir to his estate, and the actor's blood nephew Eduardo Moreno Laparade over the control of 34 films made by Cantinflas.
The nephew claimed his uncle gave him a written notice In 2005, Mario Moreno Ivanova, Jr. At the same time, there was another legal battle between Columbia Pictures and Moreno Ivanova over control of these films.
As a pioneer of the cinema of Mexico, Moreno helped usher in its golden era.
In addition to being a business leader, he also became involved in Mexico's tangled and often dangerous labor politics.
In the mid-1930s, Cantinflas met publicist and producer Santiago Reachi and subsequently partnered with him to form their own film production venture.
Reachi produced, directed, and distributed, while Cantinflas acted.
Cantinflas made his film debut in 1936 with No te engañes corazón (Don't Fool Yourself Dear) before meeting Reachi, but the film received little attention.
As a young man, Cantinflas performed a variety of acts in travelling tents, and it was here that he acquired the nickname "Cantinflas".The film was a breakthrough in Latin America and was later recognized by Somos magazine as the 10th greatest film produced largely in Mexico.In 1941, Moreno first played the role of a police officer on film in El gendarme desconocido ("The Unknown Police Officer" a play on words on "The Unknown Soldier).At first he tried to imitate Al Jolson by smearing his face with black paint, but later separated himself to form his own identity as an impoverished slum dweller with baggy pants, a rope for a belt, and a distinctive mustache.
In the tents, he danced, performed acrobatics, and performed roles related to several different professions.According to one obituary, "Cantinflas" is a meaningless name invented to prevent his parents from knowing he was in the entertainment business, which they considered a shameful occupation.